17,136 Royalty-Free Audio Tracks for "The Complete Marches Of John Philip Sousa: Vol. 4 (1899 1916)"

The march "The Loyal Legion" by John Philip Sousa, played by the United States Marine Band

John Philip Sousa's "The Rifle Regiment", performed by the U.S. Army Band

John Philip Sousa's "The Invincible Eagle", the interim march of the United States Space Force, performed by the U.S. Army Band

John Philip Sousa's "The Gallant Seventh", composed 1922. Recording date not clear according to CD booklet, metadata suggests 1989 Українська: «The Gallant Seventh» Джона Філіпа Соузи, створена 1922 року. Дата запису не відома, згідно з буклетом компакт-диска, припускається 1989 рік.

John Philip Sousa's "Semper Fidelis" Recording date not clear according to CD booklet metadata suggests 1989. Semper Fidelis: Music of John Philip Sousa

w:Fairest of the Fair

John Philip Sousa's The Thunderer, played by the United States Army Band

The march "The Charlatan" by John Philip Sousa, played by the United States Marine Band

Four ruffles and flourishes, followed by the Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This combination is used to provide musical honors to senior civilian government officials.

The Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This is used to provide musical honors to consuls general accredited to the United States, and is often performed during the posting of the National Colors.

John Philip Sousa's The Stars and Stripes Forever, performed by the U.S. Army Band

Stars and Stripes Forever March, by John Philip Sousa, performed by Sousa's Band for Edison Records in November 1909. This is Edison Amberol cylinder number 4M-285 (A- ..22). It is NPS object catalog number: EDIS 36682

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band. Track 5 from Esprit de Corps (1997).

Four ruffles and flourishes and "The Stars and Stripes Forever" (last 32 measures) performed by the Concert Band of the United States Air Force Band. Track 19 from Esprit de Corps (1997).

Hands Across the Sea performed by the Concert Band of the United States Air Force Heritage of America Band. Track 20 from disc 2 of Ceremonial Music (2005).

The Washington Post performed by the Concert Band of the United States Air Force Heritage of America Band. Track 17 from disc 2 of Ceremonial Music (2005).

The last 32 measures of "The Stars and Stripes Forever" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 43 from disc 1 of Ceremonial Music (2005).

1 Ruffle and Flourish - Last 32 of The Stars and Stripes Forever"" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 42 from disc 1 of Ceremonial Music (2005).

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Heritage of America Band. Track 62 from disc 1 of Ceremonial Music (2005).

Congressional Honors ("The Stars and Stripes Forever") performed by the Concert Band of the United States Air Force Heritage of America Band. Track 33 from disc 1 of Ceremonial Music (2005).

John Philip Sousa's patriotic march The Stars and Stripes Forever, performed by the United States Marine Band. The Stars and Stripes Forever – amerykański patriotyczny marsz autorstwa Johna Philipa Sousy w wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych. Эрзянь: Джон Филип Соузань The Stars and Stripes Forever эсь масторонь стройсэ якамо коесь. Налкси АВШ-нь Иневедень оркестрась.

I Know That My Redeemer Liveth, from Handel's Messiah

The U.S. Army Song performed by the Concert Band of the United States Air Force Heritage of America Band. Track 54 from disc 1 of Ceremonial Music (2005).

Português: Pelo Telefone, composição de Donga (Ernesto Joaquim Maria dos Santos), é considerado o primeiro samba a ser gravado no Brasil. Disponível no Acervo de Música e Arquivo Sonoro da Biblioteca Nacional.

The White Hat March performed by the US Navy Band

Chief Petty Officer's March performed by the U.S. Coast Guard Band

Joyce's 71st New York Regiment March, performed by the U.S. Army Band, from the album "Forward March!"

Hallelujah's chorus, from Handel's Messiah

Bombasto performed by the Concert Band of the United States Air Force Band of the Rockies. Track 5 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

St. Julian performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

March Grandioso performed by the Concert Band of the United States Air Force Band of the Rockies. Track 7 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

Gloria performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3][4]

Marie Rappold (1873–1957) performing "O patria mia" from Verdi's Aida, with orchestra

Knights of the Air performed by the Concert Band of the United States Air Force Band of the Golden West. Track 12 from First Flight (2007).

William Paris Chambers's march "Revelation", played by the U.S. Marine Band for the album Sound Off!.

Russell Alexander's march Belford's Carnival, recorded by the U. S. Navy Band for the album "World Class Marches"

Roland F. Seitz's 1909 March Grandioso, recorded by the U. S. Navy Band for the album "World Class Marches"

John Clifford Heed's In Storm and Sunshine March, recorded by the U. S. Navy Band for the album "World Class Marches"

The march "The White Cockade", played by fifes and drums of the U.S. Marine Band for the album Sound Off!.

The "Invercargill March", played by the U.S. Marine Band for the album Uncommon Valor.

The National Spirit March by Silas Erly Hummel, performed by the U.S. Army Band

The Governor's Own March performed by a brass quartet of the United States Navy Band. Written by Alton Adams, the first black bandmaster in the US Navy. This version for brass quartet was arranged by Chief Musician Stan Curtis. Performed by Musician 1st Class Phil Eberly (euphonium) and Chief Musicians Tony Halloin (tuba), John Schroeder (trumpet) and Stan Curtis (trumpet).

The British Grenadiers on the 2007 album The United States Army Strings

Cayetano Alberto Silva's march San Lorenzo, played by the U.S. Marine Band for the album Sound Off!.

The march "Joyce's 71st New York Regiment" by Thornton Barnes Boyer (1881), played by the United States Navy Band directed by Ned Muffley for the 1978 album "Tour de Force" (reproduced in "75th Anniversary Collection", 2000).

Nederlands: Adjudant S.P. van Leeuwen componeerde in 1961 voor het regiment de defileermars ‘Toujours en Tête’ (Steeds vooraan). De Koninklijke Militaire Kapel ‘Johan Willem Friso’ speelt de mars, beter bekend als regimentsmars, tijdens belangrijke momenten en ceremoniële gelegenheden.

The Chicago Tribune performed by the Concert Band of the United States Air Force Band of the Rockies. Track 11 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

El ataque de Uchumayo es una marcha militar peruana compuesta por el músico peruano Manuel Bañón hacia 1835. Originalmente se llamaba “La Salaverrina”, en homenaje a Felipe Santiago Salaverry, jefe del gobierno peruano de entonces, pero luego adoptó su nombre actual, en conmemoración a la victoria peruana de Uchumayo sobre los invasores bolivianos. Es una de las más marchas militares más antiguas de América, que aún se sigue tocando.

Recording of "My Old Dutch" by Albert Chevalier on the Berliner Gramophone label, 1899. Cleaned with Waves X-Noise